Inspired by characters and storylines created by Jules Verne, the streaming series Nautilus retells the classic tale from Captain Nemo’s point of view: an Indian Prince robbed of his birthright and family, a prisoner of the East India Mercantile Company and a man bent on revenge against the forces that have taken everything from him.

Shot on Australia’s Gold Coast, the series is a testament to the hundreds of talented Australian crew, creatives and cast who helped bring the project to life. Read on below to learn about some of the series’ Australian contributors.

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Australia provided the ideal environment for Nautilus in terms of studio and locations. Additionally the tax incentives in the form of the Australian Government’s Location Incentive (now legislated as the 30% Location Offset), Screen Queensland’s Production Attraction Strategy, and the Gold Coast Local Government’s Screen Attraction Program, were all vital to financing the series.

Queensland fit the brief perfectly with a variety of locations – substituting for tropical jungle islands in the South Pacific, 1858’s London, Indonesian palaces and more exotic locations – found within a convenient radius to the studios, near an international airport, and with an enviable lifestyle.

The support of the City of Gold Coast via the Gold Coast Film Commission was also crucial in both providing location permit support and introductions between key stakeholders and the production. Having hosted over 60 major international productions, the Gold Coast was a natural choice for the series’ creators in large part thanks to the local crews’ expertise with marine and water tank based shoots.

Additional support was provided with Post, Digital and Visual Effects (PDV) completed in New South Wales, South Australia, Western Australia and also Queensland with the support of the each states respective Post, Digital and VFX rebates.

“I can honestly say that filming Nautilus in Australia was the greatest and most meaningful professional experience of my life so far. From the phenomenal cast to the magnificent production design, our incredible stunt coordinators and the brilliant VFX team – it was a very inspiring environment to be a part of.”
Isabelle Sieb
Director

Village Roadshow Studios

Sound Stages

Four stages at Village Roadshow Studios were utilised for production, with the studios’ three water tanks proving crucial for the project. The ‘Nautilus’ was constructed on site, taking over a whole stage.

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Disney Lighting

Lighting

Premier lighting equipment supply company, Disney Lighting, delivered a comprehensive selection of premium lighting equipment for the project.

On Nautilus, they provided:

  • Arri Max 18K Par lights with Big Bee motorised yokes
  • Vortex 8
  • Arri S60 Sky Panels
  • Arri S360 Sky Panels
  • Titan Tubes
  • Power and distribution
  • 20K Fresnels
  • Grand MA control systems
  • Long John Silver Stands
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Heliguy

Aerials & Photogrammetry

Heliguy provided wide aerial shots that were critical to the visual storytelling. Work was closely coordinated with the VFX department to ensure the shots could be seamlessly integrated in post, serving as a foundation for the series’ immersive environments.

In addition to aerial cinematography, Heliguy was responsible for scanning and data processing exterior locations and set using photogrammetry and mobile LiDAR technology. These techniques produced detailed 3D models, which were used to integrate physical sets with digital extensions and visual effects, ensuring consistency and realism in the final imagery.

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Myriad Studios

3D SCANNING

Myriad Studios was responsible for all 3D scanning services. Myriad’s highly skilled on-set scanning crew, 3D modelers and mobile scanning equipment delivered photorealistic 3D digital doubles straight to VFX Vendors.

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The Rebel Fleet

Video Assist Equipment

TRF provided video assist equipment and workflow services, working alongside experienced crew to provide a comprehensive onset monitoring and playback solution.

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TAG

TRAVEL MANAGEMENT

TAG was one of the travel partners on the project and coordinated travel for 334 of the cast and crew, including the booking of nearly 3,000 room nights.

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“We had a fabulous time shooting Nautilus on the Gold Coast. The professionalism, craftsmanship and excellence of the cast and crews from Queensland and other parts of Australia were second to none.”
Xavier Marchand & Anand Tucker
Executive Producers

Cutting Edge

DAILIES & EDITORIAL SUPPORT

Cutting Edge provided dailies & editorial support for the duration of the shoot.

Soundfirm

ADR RECORDING

Soundfirm recorded a significant amount of the ADR out of their Sydney and Melbourne studios.

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“In addition to the incredible government incentives, the state-of-the-art facilities at Village Roadshow Studios were crucial, because we knew we were going to be 60 to 70% on stage… plus, the wonderful crews and actors in Australia – it all made sense to film there.”
Xavier Marchand
Executive Producer

Rising Sun Pictures

ATLANTIS CITY

RSP was tasked with producing the exterior of the ancient city of Atlantis, as well as simulating a number of sea creatures.

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FIN Design + Effects

CG, Water, Enviros

FIN Design + Effects was a key visual effects vendor through their Ballina studio, previously Cumulus VFX.

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Future Associate

Fluid, particle, pyro

Future Associate’s contributions included CG flames, embers and smoke, as well as keying, despilling and reflections. Additionally the team worked on ocean environment shots, spanning 10 distinct looks.

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Contrarian Group

FINANCE

Contrarian Group provided consulting and advisory services for the production.

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WITH THANKS TO

Disney Enterprises, Inc.

NAUTILUS WAS SUPPORTED BY

The Australian Federal Government

With additional support from Screen Queensland

And City of Gold Coast

Also supported by

Screen NSW, Screenwest, South Australian Film Corporation

Nautilus materials © 2023 Disney Enterprises, Inc.