In modern filmmaking, the requirements of visual effects have fundamentally changed the way plates are captured on set. VFX Supervisors and post-production teams require flexibility, precision and maximum coverage.
Through the design and deployment of custom multi-camera array platforms, XM2 enables VFX teams to capture richer, more versatile plates in fewer passes which provides efficiency on set along with creative freedom in post.
Shooting VFX plates with single cameras requires multiple passes to achieve full coverage, which increases time and cost, as well as restricting flexibility in post-production. XM2 have developed several stabilised, synchronised, multi-camera array systems designed for all kinds of projects. Each platform maximises data capture, reduces the number of required passes and provides VFX teams with dramatically more latitude in post.
The Komodo Array – Compact, Modular, Flexible
This system utilises three RED Komodo cameras on a modified Ronin 2 remote head. Designed for flexibility, it can be deployed on a wide range of motion platforms including drone, arm car, cable cam, electric bike, RC car and even in a handheld configuration.
This system captures synchronised multi-angle footage in a single pass while maintaining a compact footprint and being robust enough for dynamic environments.
Selected credits – Fallout, War Machine, Apex, The Mongoose
The Mini LF Array – Large Format, Premium Sensors, High Quality
For productions requiring large-format image quality, XM2 developed an array using three synchronised ARRI Mini LF cameras on a customised Freefly Movi XL. This platform was initially engineered for Star Wars: Episode IX – The Rise of Skywalker and has since been used on film franchises including Mission: Impossible, Fast and Furious along with The Fall Guy in Sydney.
The Obsidian Array – 360 Degree Coverage with a Single Pass
First deployed on Ice Road: Vengeance, starring Liam Neeson, the Kandao Obsidian Pro utilises 8 APSC sensors in a single body to capture full 360 degree footage in 12K resolution.
Most recently utilised on Runner, shot on the Gold Coast and starring Alan Ritchson, XM2 engineered a customised gimbal system to deliver stable, high speed driving plates tailored specifically for VFX integration.
These multi-camera arrays systems enable fewer repeat passes and maximise creative freedom. VFX departments gain expanded parallax information, improved match-moving capability, greater reframing flexibility, faster plate acquisition on set and reduced need for reshoots. XM2 have proven these systems around the world with clients including ILM, DNEG, Netflix, Disney, Amazon, Paramount and Lucasfilm.
XM2 continues to refine and expand its multi-camera array platforms to meet the needs of projects of all sizes, particularly as the needs of virtual production and LED volumes grow.
If you’re developing a project that requires advanced VFX plate capture, contact XM2 to learn more.